Group Exhibitions:

Mother and Daughter Pop up Show, Hill Close Gardens, 10th October, 2021

The Poly Members' Summer Exhibition, The Poly Falmouth, 17th August-4th September, 2021

Gray's Wharf miniatures group show, BA(Hons) Fine Art, 1st-8th May, 2021

Falmouth University Degree Show, 21st-25th June, 2021

The Poly Spring Open, Curated Art Show, Falmouth 25th May-5th June, 2021

Street View Falmouth/ Art in the Window, 12-18th April 2021

Street View Falmouth, window exhibition trail - 22-28th February 2021

Pop up Drawing Exhibition, Falmouth Waterfront - 17th January 2020

Pop up exhibition in Foyle Studio, Tate St Ives - September 2020

Fine Art second year show, The Poly, 2020 (cancelled due to Covid-19)

Fine Art, First Year end of year show, Falmouth University - 2019

Fine Art, end of year show, Warwickshire College - 2016




Experience:

Leamington LAMP, Assistant Artist, Art in the Park, Leamington Spa - 2022

Two sustainable workshops for Craft.Eat.Smile festival, online - 27th-28th March 2021

Emerging Artist Platform, online - January - March 2021

Tate Collective Producers, online - January - March 2021

Emerging Artist Platform, Tate St Ives - February - March 2020

Spot Drama, rehearsal & performance photographer - May 2016 - February 2017

Firewood Productions, photographer - July 2016 - January 2017

Monoprinting workshop, Hill Close Gardens - 2017

Lino printing workshop assistant, Pump room Gardens - 2016

Art in the park volunteer - 2016

Stars and Snowdrops event volunteer, Hanwell - 2010 - 2019


Features:


Featured on Fronteer lockdown - Instagram - June 2020

Featured on Yew! Magazine - Instagram - ‘New Year, New Yew!’ program (January 2021) and
‘Take Yew! Over’ story take over & post (February 2021)


Commissions:


Enchanter’s Nightshade paper cover for Earthbound Press - April 2020

.

Hester Ellis - Artist//gardener//

'Dancing' - Drawing, 2021

As an ecological artist I explore a mixed media expression of time, environment, nature, growth and play. The connection between myself and the natural, non-human world that surrounds me is key, and allows me to immerse myself into a place of creative fluid and flux. I am imbuing processes with emotion through ritual actioning, in order to better recognize my reliance on the natural world - because without it my sketchbook, my dreams, and my days would be empty. I’m seeking outcomes that I alone cannot create, handing over any control that I have, witnessing the neverending power of Nature itself.